The Guide to

Instructional Video #2
Advanced Moves in Cuban-Style Casino Salsa Dancing

        


LIST OF MOVES ON INSTRUCTIONAL VIDEO #2


 
Enriching the Basic Step:
 
     #1 
Shuffle & Twist
a-tiempo
#2
Double Twist & Step Out
a-tiempo
#3
Small Shuffle & Big Twist
a-tiempo
#4
Step Behind & Small Twists
a-tiempo
#5
Step Behind & Lots of Small Twists
a-tiempo
#6
Leg Kick Out & Twists
a-tiempo
#7
Down, Twist & Turn
a-tiempo
#8
Drop Quickly & Up Slowly
a-tiempo
#9
Demo of Enriching The Basic Step
a-tiempo
 
Easier Advanced Moves:
 
#10
Tight Turning
 a-tiempo
#11
Quadruple Woman Left Turn
 a-tiempo
#12
Casate
contra-tiempo
#13
Chirri's 80
 a-tiempo
#14
Release, Catch & Duck
 a-tiempo
#15
Surprise Reach In
 a-tiempo
#16
Switching Hands Between Legs
 a-tiempo
#17
Bayamo
 a-tiempo
#18
Trompo
 a-tiempo
#19
Remolino
contra-tiempo
#20
Serpiente III
contra-tiempo
#21
Divorcio
contra-tiempo
 
Harder Advanced Moves:
 
#22
Leg Lifts
 a-tiempo
#23
Cuncun
contra-tiempo
#24
Cuba Libre
contra-tiempo
#25
Tunturuntun
contra-tiempo
#26
Gaviota
contra-tiempo
#27
Las Fotos
contra-tiempo
#28
Tornado
contra-tiempo
#29
Scorpio
contra-tiempo
#30
Serpiente
contra-tiempo


Explanations and commentary of the Moves

ABBREVIATIONS USED:

KEY
MEANING 
L
Left
R
Right
L-R
Man's Left Hand holding Woman's Right Hand
WRT
Woman Right Turn
4WRT
4 Woman Right Turns
on1
on the first beat of the music.  For explaining the dance move, it will always mean the left break step for the man, and right break step for the woman.

  The following is only a guide to the video.
It is intended to make sense while watching the actual video.
The text by itself (without seeing the video) may not make sense.
 

NOTES ON MOVES FROM VIDEO#2

#1:  Shuffle on4, and twist on5.

#2:  Twist on5, twist on6, and step back on7.

#3:  R-R hands, shuffle on4, and big twist on5.

#4:  Step behind on7, and twist in place on1, on2, and on3.

#5:  This is like #4, except there are more twists.  Step behind on7, and twist on1, on2, on3, on5, on6, and on7.

#6:  Kick out together on5 and come back on7.  Then pivot on1, on 2, and on3.

#7:  Woman starts down on7, twists on1, and o2, and comes up on3, usually right into a late vacilala.
    This move is unique in that it is not lead.  Instead the woman does it when she wants to, usually during a basic or at the end of a Dile Que No.  This doesn't seem to interfere with the man's leading because in Cuban Casino most turns are initiated on1 so the man would not be trying a lead right at that moment.

#8:  Woman dives down on7, and comes up on1 and on2 in time for the push off (R-L hands) on5.
    As with the previous move, it is not lead, and can be used to surprise the man.

#9:  This demo contains all sorts of cool footwork.  No turns, just a few Dile Que No's and lots of footwork.

#10: To get into Tight Turning, they are doing an Hecho, and then pulling her in to him (starting on5) to go straight into Tight Turning.  To get out, they go straight into a Dile Que No.

#11:  The full combination is: Hecho, 4WLT (over 3 measures of music), pull-in, and Dile Que No.  These aren't fast turns as in L.A. style!  In L.A. style the woman steps in a 1, 2, 1, 2 (L, R, L, R, etc.) fashion.  In Cuba, the woman maintains the 1, 2, 3, pause, 5, 6, 7, pause (L, R, L, pause, R, L, R, pause.)

#12:  The full combination is: Hecho, Deshecho, pull-in locking inner elbows and start walking clockwise, do other stuff, then pull-in and Dile Que No.

#15:  Also known as "Beso" because you could kiss her when you've got her wound up.  This move almost never fails to get a smile from the non-Cubans I use it on.  It's a really nice move.

#16:  Ibert is counting "1,2,3,..,5,6,7" in Spanish.  The hand switching happens on1, on2, and on3.

#17:  This is a well known Rueda de Casino move.

#18:  This is a well known Casino move.

#22:  It is common to go right into Vacilala after the leg lift as shown in the video.  When trying this move for the first time, I suggest trying it is socks to protect from hurting the woman if your leg doesn't make it over.  The key for me in learning this way that I had to commit to the move.  If I took the approach of waiting to see how far my leg would make it, and then trying to stop, I wouldn't make it over.  Instead, if I just committed to the move, it was, after a little while, no problem.  Hint: make sure the woman will not attempt to raise her hand while attempting this move.

#23:  Cool trick!

#24:  This is my favorite move from the video.

#25:  It is important for the woman to not turn to much when getting into the "neck brace."  Cuban women seems to do fine at this, but non-Cubans who are accustomed to turning more, tend to overturn.

#26:  For the ending position, it is important for the woman to try to stick her elbows straight up and to have your head up.  The man can help with this by gently bringing her hands together and to the back of her neck and then down just a little bit.

#27:  For me, this is beautiful stuff.  Here is an example of the man leaving out steps while the woman continues to mark time.  In the first "photo" (foto is photo in spanish), Joel freezes on7, leaves out 1 & 2, and then picks up the basic on3 (small step -- almost in place, and then an obvious step forward on5.)  The other "photos" use similar ideas.  Of course, the body position while freezing is what makes the move.
    This also makes a great Rueda move.  The leader calls out "La Foto", and all the guys, out of a basic or better yet, a "dame", take a step toward the center freezing in this fashion on7, while the women continue to dance.  Then, all the guys start dancing again on3.

#29:  Fingertips holding on only!

#30:  Joel & Yaqueline's signature move.  It took some persuading to get them to let me film it!


Any comments, suggestions, or questions about the notes?
Just email me!